1/11/2024 0 Comments Sellfy grunge overlayWith higher amounts in the mod matrix, you get jumps in the sound. Now you have to be moderate with the pressure values. It would allow for more expressive playing. I'ld like to be able to assign an aux envelope to pressure, so it gradually kicks in and out. I find the aftertouch quite 'jumpy', it's discussed here as well. Pressure as a mod destination - or a standard slower attack and release on the pressure values. ![]() Note: Subsequent 37 extended the max drive amount beyond previous generation Sub 37. It wouldn't affect any existing patches, but would allow for really pushing the overdrive harder to achieve similar results to Moog's Multidrive on Subsequent 37, when using a single oscillator. (Right now, there appears to just be a hard limit at 128 value, but if it's possible with the circuit, it would be nice to be able to push the drive past a total value of 128 - if it could be extended with mod matrix routing to go up to a combined value of 192 or 256, that would be awesome) Assuming there's not a hardware limitation to the drive/limiter circuitry. It would be nice if we add a modulation of DC > Filter Drive, that could be added to the Filter Drive knob to extend the total amount of filter drive available if using just a single oscillator. Quote from: creativespiral on November 20, 2020, 12:25:40 PM Feature Request: Remove (or just extend) the upper limit on Filter Drive, when adding a separate filter drive routing in mod matrix. Quote from: JShipp on August 24, 2021, 09:06:01 AM Forgive me if this is already on this long and cool thread: this would add even another layer of randomness that could further add interest to sequences. While we're at it, would be cool if instead of always going in order, the oscillators could be deployed in a random order, including repeating the same one. I know this would not always work out as you moved around the keyboard, and I think the occasional paraphonic switcheroo would make for welcome weirdness, but being able, as a rule to, say, have two vibrato'd saw waves up top and an osc3 triangle shifted an octave down as your lower note would go a long way. ![]() Same for if you're playing a lead line with two notes in the left hand. the way they're just automatically handed out is of course cool and makes for a lot of welcome surprises, but if you're doing something like playing low notes and little two-note pads, it would be great if you could dependably have the lowest note have the same shape and modulations and such. I wish we had the option of choosing, when three notes are played in paraphonic mode, what defaults as the lowest, middle, and top voice. There's a feature that was hardwired into my Arp Oddy and Dreadbox Erebus II that I wish was an option here (seems like it would be a firmware thing?) ![]() I love paraphonic synths and this is the best one I've ever had. Forgive me if this is already on this long and cool thread:
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